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We see the world through a train window in Tra(i)nsient. Anson Mak captures the fleeting scenes that rush by: images of trees, buildings, power lines, rolling hills, and neighbourhoods, from sunrise through daytime to nightfall. Shot on a Super 8 camera, the video has a particularly grainy quality as light fluctuates over the course of a day. For the majority of the nearly twelve-minute piece, we hear the sound of falling rain and the clamouring of train wheels against the tracks; the viewpoint then shifts to a straight shot of Hong Kong, with the soundtrack changing to white noise. In the final moments, the film cuts to silent darkness. (From mplus.org.hk)
Director
Status
Released
Original Language
XX
When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.