Totò le Mokò (1949)

Heartbroken that their children no longer want to spend time with them, two parents fake an inheritance to bring the family together for Christmas.

Altiero Molino is a twenty-six-year-old digital entrepreneur who’s returning to Ventotene with his model husband in order to gather his old friends together around his ailing father so as to treat him to one last holiday in this place which is so special to him. He didn’t expect to find the island all abuzz with Sabry Mazzalupi’s marriage to her partner Cesare. This young woman, who’s the awkward daughter of Roman shopkeeper Ruggero, has become an online celebrity and her wedding is a global event attracting the media as well as mysterious emissaries from the new political regime. These two tribes of vacationers, two seemingly irreconcilable sides of Italy, are destined to come together during the Ferragosto holiday for an ultimate showdown.

Now that Dan's assassin days are behind him, all he wants for Christmas is quality time with his kids. But when he learns his daughter has her own plans, he books a family trip to London—putting them all in the crosshairs of an unexpected enemy.

A mercenary takes on the job of tracking down a target on a plane but must protect that target when they're surrounded by people trying to kill both of them.

After fleeing the UK from a job gone wrong, a down on his luck hitman is forced to babysit the son of his new crime boss and show him how to become a man.

Irene lives in Rome. When her mother ask to, she go back to Rimini, her hometown, to take care of her autistic brother, Omar. She soon discover that Omar knows very well what to expect from the future, but in order to achieve his dreams, he need to be independent, which is why Irene begins a tender crash course to teach him adult life.

Thomas is a meek man on the verge of a nervous breakdown. Despite his situation he decides to fake a work trip to go to Vallarta to confront Jero, a taxi driver who is sleeping with his wife.

Broke and depressed, Ray is mistaken for a dangerous hitman and given an envelope of cash. Along with his P.I. friend Skip, he must escape the actual hitman to make it out of LaRoy alive.

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

Three years after her relationship with Giovanni, Monica is in prison and has to ask his ex for help.