
User Score
16 votes
Watson’s avant-garde film is a unique example of dadaist aesthetics in early sound cinema. A minimalist and virtually expressionless acting style on a claustrophobic set characterizes the melodramatic love triangle. Watson considered the film a failure, though it appears extremely modern today, and suppressed its existence. - Jan-Christopher Horak
Director
Writer
Status
Released
Original Language
EN
Stuck in the corridors of time, Godefroy de Montmirail and his faithful servant Jacquouille are projected to a time of profound political and social upheavals: the French Revolution... specifically, The Terror, time of great dangers, during which the descendants of Godefroy and Jacquouille had their castle and all their property confiscated by arrogant aristocrats, fleeing and lifes hanging by a thread.