
User Score
16 votes
Watson’s avant-garde film is a unique example of dadaist aesthetics in early sound cinema. A minimalist and virtually expressionless acting style on a claustrophobic set characterizes the melodramatic love triangle. Watson considered the film a failure, though it appears extremely modern today, and suppressed its existence. - Jan-Christopher Horak
Director
Writer
Status
Released
Original Language
EN
A driven American exec heads to Paris determined to acquire a champagne brand by Christmas — and accidentally falls for the heir to the bubbly empire.