Tom Petty & The Heartbreakers: Live at the Docks, Hamburg (1999)

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Making of documentary surrounding the production of ‘Anora’

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

A snackable drama series about the life of GENJI, whose world is constantly overflowing with drama—because everyone around him is way too sweet (literally “too much sugar”). Luckily, there’s GULDIK, always ready to lay down the real talk, offering tips and tricks so GENJI can keep moving forward—just like the main character in the movies.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

WORST TO FIRST is a feature-length documentary that portrays the against-all-odds inspirational story of the launch of the iconic and most successful radio station in history, New York City's Z100.

The story of a few people in Vienna. Erwin, who wants to become an actor and has come from somewhere in the provinces with great ambitions. Karin, a waitress in a suburban espresso bar, who is almost destroyed by her love. Wolf, a writer who finds life difficult because he can't write. Claudia, a German woman, stuck in this neurotic city where everyone, incomprehensibly, makes life so difficult. Everyone is searching for another life, their own, the real life.

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

Mahmoud Darwish was a Palestinian poet and author who was regarded as the Palestinian national poet. He won numerous awards for his works. Darwish used Palestine as a metaphor for the loss of Eden, birth and resurrection, and the anguish of dispossession and exile.

Fun-loving Peer Gynt lives carefree on his parents' farm. Only his mother is a fixed point of reference; he doesn't think much of regular work and an orderly life. His mother's death brings him closer to the young Solveig, but he leaves her and his homeland to make his fortune in America.