Todo sol es amargo (1966)

A man reflects on the lost love of his youth and his long-ago journey from Taiwan to America as he begins to reconnect with his estranged daughter.

In search of a lifeline for his struggling off road racing team, a man takes on a young car thief looking for a second chance, but as their worlds collide, they must struggle to forge a successful alliance.

A mysterious cab passenger taken hostage must convince the hijackers that he is not the con man they set out to kill.

A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.

While serving life in prison, a young man looks back at the people, the circumstances and the system that set him on the path toward his crime.

In post-war Europe, a diverse group of passengers aboard a U.S. Army train to bombed-out Frankfurt becomes involved in a Nazi assassination plot.

Recently escaped from reformatory, Reinaldo struggles to get by in the streets of Havana in the late 90s, one of the worst decades for Cuban society. Hopes, disillusionment, rum, good humor and above all hunger, accompany him in his wanderings, until he meets Magda and Yunisleidy, survivors like himself. In one or the other's arms, he will try to escape the material and moral misery surrounding him, living love, passion, tenderness and uninhibited sex to the limit.

Mouse desperately wants to join The Midnight Clique, the infamous Baltimore dirt bike riders who rule the summertime streets. When Midnight’s leader, Blax, takes 14-year-old Mouse under his wing, Mouse soon finds himself torn between the straight-and-narrow and a road filled with fast money and violence.

A blind teacher breaks the rules to help a female student rediscover the pleasures of life.

As Islamic morality squads stage arbitrary raids in Tehran and as fundamentalists seize hold of the universities, Azar Nafisi, an inspired teacher, secretly gathers six of her most committed female students to read forbidden western classics. Unaccustomed to being asked to speak their minds, they soon removed their veils, their stories intertwining with the novels they read: just like the heroines of Nabokov, F. Scott Fitzgerald, Henry James or Jane Austen, the women in Nafisi’s living room dare to dream, hope and love as we experience the complexity of the lives of individuals facing political, moral and personal siege.