Time to Live (1969)

During the summer of 1968, Leon, a 10-year-old boy, navigates the hardships of young love, his lunatic mother's whims, and his urges to vandalize the house of his neighbors.

Bailey and Darla embark upon a misguided and mutually deceitful form of therapy, one in which they must drive across the country, re-enacting Darla's colorful history as a sex addict. As their true motivations for the road trip come to light, the unlikely pair force one another to confront their issues, discovering that there might actually be more to love than just sex.

Twenty-three years old Romain would like to be a writer, but, for the moment, he's night watchman in a hotel. His sixty-two years old father is retired and seems to not give a damn about anything. He shares an apartment with a twenty-four-year-old guy whose sole purpose in life is to seduce a woman, no matter who, and no matter the cost. His eighty-five years old grandmother is living in an old people's home, and she wonders what on earth she is doing with stuck with all these old people. One day, Romain's father turns up in a fluster. His grandmother has disappeared. In fact, she kind of escaped. Romain sets out to find her, somewhere in his memories.

The mayor of Lyon, Paul Théraneau, is in a delicate position. After 30 years in politics, he is running out of ideas and is faced with a feeling of existential emptiness. To overcome this, Paul hires a young and brilliant philosopher, Alice Heimann. Then follows a dialogue between two diametrically opposed personalities who will turn their certainties upside down.

At 19, passionate about street art, Naëlle (Najaa Bensaid) is forced to follow a reintegration project with other young people, her last chance to avoid being separated from her loved ones. Touched by the young girl, Hélène (Agnès Jaoui), the site manager and her instructor, introduces her one day to the Maison des Compagnons de Nantes, a world of traditions that promotes craftsmanship excellence and transmission between generations. Alongside Paul (Pio Marmai), a companion stained glass artist who agrees to take her for training in his studio, Naëlle discovers a universe with codes very different from hers that could give new meaning despite her difficulties in life. Naëlle will carve a place for herself in the fascinating world of stained glass and will realize that the Companions' values are not just empty words.

Because he forgot his identity card, Elias cannot take the entrance exam to Sciences Po. In search of a job while waiting to be able to take the exam again, he becomes an educator in a children's home. Confronted with an environment he doesn't know how to work, Elias doesn't yet know how much this experience will change his life.

A woman in her thirties gets tired of life in Paris and decides to leave and become a farmer.

Wael, a former street child, makes a living from small scams with his adoptive mother and partner-in-crime Monique. When this unconventional duo swindles the wrong guy, Victor, an old acquaintance of Monique now in charge of a support organization for troubled teens, they have no choice but to become his interim secretary and educator in order to redeem themselves.

An unexpected road trip brings a dysfunctional family together for one last journey with their elder, sparking moments of connection, joy, and reconciliation.

Leaping forward twenty years, the trilogy continues with the death of Fanny's husband, Panisse, and the discovery of her secret by her son, Césariot. The young man resolves to track down his biological father, Marius, whose life has been fraught with calamity and poverty.