
User Score
6 votes
Jonas Mekas reflects on summers spent in the late 1960s and early 1970s with Jackie Kennedy, her sister Lee Radziwill, and their families. Blending personal footage with diary narration, the film captures intimate moments of friendship, cinema, and healing in the years following John F. Kennedy’s assassination.
Director
Writer
Status
Released
Original Language
EN

A fixed camera companion to FOG LINE. Bright green leaves stripped from ears of corn, and later, the vibrant yellow ears placed steaming in the waiting bowl. Each of these actions inaugurates a period in which one contemplates an image whose steady transformation is barely perceptible–the delicate slow movement of light and shadow, the evolution of subtle steam into the film grain. A meditation on the fragile moments of corn's passage from living sun-nourished plant to food to light image. The mind attempts to grasp duration itself, to distinguish its own creating from its perceiving, but distictions blur in the wholeness of times's and consciousness' flow.


Self (archive footage)
People of different age, profession and social status answer two simple questions: who they are and what they want from life.