Third Time Lucky (1949)

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RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

A Romance of the Three Kingdoms retelling using SD Gundams. (Source: Myanimelist.net)

The second chapter in the Refrain Blue series focuses on Nao Morisawa and the events that happened at the summer camp last year, with her and Yoshihiro Matsunaga both unable to let go of feelings of the past.

Yuzuru asked Touji out as a half-hearted joke, not expecting to be taken seriously. Touji accepted, and Yuzuru knew he was like the rest, the relationship begins on a Monday and ends on Sunday. What he did not expect was the feelings that went beyond friendship that emerged. It's now Friday, and the end is approaching. But is it? Yuzuru may be mourning the inevitable, but what about Touji? Friday begins the end, but Sunday reveals all.

Mothra's dark counterpart, Battra, emerges to eliminate humanity on behalf of the Earth. Two tiny fairies called the Cosmos offer their help by calling Mothra to battle the creature. Unfortunately a meteorite has awoken a hibernating Godzilla as a three way battle for the Earth begins.

A worker is hunted by a sadistic killer during his lunch break, for the entertainment of online viewers. The directional debut of Jonty Ross, made as part of the 2022 edition of ‘Fresh Blood’.

Spider-man must rescue the beautiful daughter of the evil Dr. Lightning.

Explore the evolution of Buzz Lightyear from toy to human in the making of Pixar’s Lightyear. Dive into the origin and cultural impact of everyone’s favorite Space Ranger, the art of designing a new “human Buzz,” and the challenges faced by the Lightyear crew along the way.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.