The Winter's Tale (1981)

Making of documentary surrounding the production of ‘Anora’

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

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It is the first time that Joana, a Brazilian, has visited her friend Kevin in her country, Uganda. They met 20 years ago when they studied together in Germany and have not seen each other for a long time. Now they are close to turning 40 and life is more complex than in youth. This is a film about a friendship between women.

Kazu becomes distrustful of his current partner Shin and goes to see his ex-boyfriend Takashi. But he finds out that Takashi has gotten married to a woman and feels that he is left with nowhere to go.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

The demonic Nicholas Diabolus is put on trial accused of interfering with people's lives.

Comedian, actor, and best-selling author Gary Gulman offers up his hilarious insights on a range of topics – from growing up poor to pretentious suffixes – all with a generous helping of his inventive humor and absurdism. Reflecting on his eccentric Jewish American family, Gulman chronicles his childhood experiences with free school lunch programs and questionable dental care, as well as incisive swipes at billionaire-ism.

A terrorized female community resorts to ever more extreme actions in response to male violence.

Fry discusses his guilty pleasure in Abba, soap operas, darts and hitting people.