The Walls of Bergamo (2023)

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

A military contractor hired to seize a weapon that turns people into savage killers seeks revenge when his brother falls victim to the device.

It’s Saturday night in Istanbul and the storm suppresses the sound of music around the city. Özge and Tarık, who have had too much to drink, decide to end the night and jump in a cab. However, the journey back home doesn’t go as they expect.

Self-important author Leon joins his best friend on a summer holiday near the Baltic Sea to complete his novel. When they arrive, they find their house is already occupied by a carefree woman who challenges Leon to open up. Meanwhile, forest wildfires rage around them and impending disaster looms.

After escaping a Michigan prison, a charming career criminal assumes a new identity in Canada and goes on to rob a record 59 banks and jewellery stores while being hunted by a rogue task force. Based on the true story of The Flying Bandit.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

A group of martial artists seek revenge after being crippled by Tu Tin-To, a martial arts master, and his son.

An unhappy divorcée has the bad fortune to move next door to a security systems installer, a voyeur whose hobby is planting hidden video cameras in the bedrooms of all his clients. He then monitors the sex lives of his customers through an elaborate TV monitor system in his garage. Joanna Cole becomes his latest victim, but when she discovers the camera by accident, she reverts back to her exhibitionist ways and begins putting on sex shows for his pleasure. Things gets ugly when Jim professes his love for her but is rebuffed.

Jeong-won, who forgot the past and lives a peaceful marriage, receives a phone call from the police one day. The man who sexually assaulted her has been caught and the news shakes up the couple’s life and breaks down their daily lives.