

User Score
138 votes
In Vera Cruz in the 1940s, Nacho, an Indian, waits tables at Don Lázaro's café at Hotel Ofélia. He falls for Lola, an opium-addicted, alcoholic whore who's hopelessly in love with Gardenia Wilson, a masked wrestler who slept with her once but knows she's unbalanced. Don Lázaro warns Nacho about Lola, and Nacho knows his love will be unrequited, but he'll do anything, regardless of how degrading, to be near her. Lola, for her part, can be sadistic. Republican exiles who are regulars at the café encourage Lola's desire to assassinate Franco. Nacho in turn mixes this political mirage with his fascination with the plot of "The Mikado." Where do fantasies and obsessions lead?
Status
Released
Original Language
ES

Journalist Laura works at home, isolating herself from others. While she lies to her mother and brother, Raul, on the phone about having an active social life, Laura's days consist of gazing at her neighbors, eating canned food and going to clubs to bring home strangers. As the anniversary of her father's death draws near, Laura develops a relationship with Arturo, a charismatic actor who shares her taste for rough sex.


Don Lázaro
A trailer is burning in the middle of a plain. The bodies of two adulterous lovers are found. Scenes from both families, before and after the dramatic events, suggest an unusual connection between them. But what is their secret?