The Village (1953)

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

A warm-hearted and biting romance about the impossible love between a Danish woman and a Turkish man

After Italian capitulation in WW2, German forces are rushing to take control of the Dalmatian coast, forcing thousands of people to take refuge. One partisan boat, filled with refugees, tries to reach a safe area, but because of a storm it must stop near a small island. While the crew tries to repair it, a German gunboat comes from nearby.

It's been 25 years since they graduated from high school or could have done it if they had not left before, made honors rounds or simply failed. Now they meet again at the class reunion, the former best of class, the former genius, the ex-class brat, the ex-class-ass, in their mid-40s, and suddenly face the people with whom they dreamed their future life , But what actually happened in the meantime?

Temple of Truth is an archive that constantly ambulates amid tangles of decaying worlds, ex-perienced as petrified, deprived, residual traces, preserving in the process of taking along and transforming itself, a magmatic state, a specific, ancestral, sometimes whitish non-space. A liveliness of half-alive bodies , both human and animal, that catch fire in a latent bullfight and which, in becoming persōnae, inhabit sarcophagi which crumble into solid ground like streams of water that suddenly submerge clouds, swinging on the brink of a vertiginous fall of nocturnal glances in the middle of exotic poses and aerial visions.

The musical adventure film goes back to the early eighteenth century, the times of the battles between the Hungarian insurrectionists and the pro-Austrians. Palkó and Jankó are about to join the insurrectionist army when they clash with a pro-Austrian troop. Jankó is captured and put in Count Koháry's prison.

Human traffickers wipe out a young girl's family and village. She then seeks revenge on those responsible, eventually becoming first the hunted then turning into the hunters with the mercenary hired to eliminate her.

This film, a combination of hand-painting and photography, is a fulsome exposition of the themes of DOG STAR MAN. In that early epic I had envisioned The World Tree as dead, fit only for firewood; and at end of DOG STAR MAN I had chopped it up amidst a flurry of stars (finally Cassiopia's Chair): now, these many years later, I am compelled to comprehend YGGDRASILL as rooted in the complex electrical synapses of thought process, to sense it being alive today as when nordic legendry hatched it. I share this compulsion with Andrei Tarkovsky, whose last film The Sacrifice struggles to revive The World Tree narratively, whereas I simply present (one might almost say "document") a moving graph approximate to my thought process, whereby The Tree roots itself as the stars we, reflectively, are.

Pili, a 51-year-old widow, unexpectedly leaves her home when, on her way, she is interrupted by the presence of an alien. After trying to tell her children about the extraterrestrial encounter and being ignored by them, she must investigate how to deal with this being. Meanwhile, she grapples with new desires to abandon the traditional life she has always known. In the end, she will have to confront and accept her deepest fears in order to fight this alien.

It's James Franco's turn to step in to the celebrity hot seat for the latest installment of The Comedy Central Roast.