The Vault of Horror (1973)

In Bucharest, Allison is protecting the mysterious bible, "The Prophet Lexicon", where the last chapter about the apocalypse, called Revelations, discloses the name of the Antichrist in its last page. Meanwhile, the evil and jealous leader of the renegade angels Thrones, Stark, forces the hit-man Dylan to kill Allison to get the information about the Antichrist, but Dylan mysteriously feels attracted by the woman, protecting her against the Thrones. Allison seeks John Reigart for help, but Satan tell her that he is interested in the apocalypse to gather millions of souls to Hell. Alone and betrayed, Allison discloses the truth about her origins, while protecting the Lexicon.

After serving time, a defiant street thug is incensed to find his town overrun by two yakuza factions. He gathers his crew and takes them on.

Three tales of terror: in "The Graveyard Rats" lovers murder the woman's older husband and encounter horror when they attempt to rob his grave; "Bobby" is the story of a woman who summons her son back from the dead; and in "He Who Kills" an African doll goes on a murderous rampage.

An American doctor encounters members of a voodoo cult when she is summoned to Jamaica to treat a wealthy man's brother.

Based on true events. When a new record by an old band is turned down by ageist record companies, the veteran punk band assemble a group of youngsters to stand in for them, and fool the music industry.

Dissatisfied with the family architectural business, a man and his wife pack up and move out to his great-grandfather's old house in the country. While trying to patch it up, the house starts to make it clear to him that it doesn't want him there, but the local church (with some off-kilter practices of their own) seems to take a shine to him.

A devout child is awoken by her mother's scream, and after investigating realizes she must fight to escape the same fate.

Luis Sandrini plays a college professor who, because of his freethinking attitudes and concerns for moral questions over matters of business, has more in common with his students than his colleagues.

Frankie Bargher is hired by the government to pose as his own brother who became a target for two groups of evil agents.

Inès, 16 years old, is determined to find a job when she meets Martin, a boy from the nice neighborhoods of Brussels. Feeling something between shame and fascination, she becomes brutally aware of social injustice.