User Score
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A movie based on the italian sitcom "I Soliti Idioti".
Director
Screenplay
Status
Released
Original Language
IT
Gianluca De Ceglie / Gisella Franchi / Fabio Rizzi / Giampietro Bianchi
Ruggero De Ceglie / Sebastiano Credici / Fabio Rizzato / Marialuce Bianchi
Messalina, Irina Tjianchikova
Ragazza del bordello
The sequel to 2011 film "I soliti idioti".
Automobilista
Giornalista TV
Remo
Avv. De Peverelli
Ragazza Prostituta
Marika
Prostituta
Barman
Still an unsuccessful punk rock musician at 36, Stefano returns to his hometown in the countryside to help with his family's business.
I Soliti Idioti return to the cinema ten years after the second film and many things have changed in the world. We will see the most beloved characters compete with the contemporary, with the same cynical and amused eye that distinguished the previous episodes. This new adventure focuses on a current and universal theme: the family.
Set in 1970s Naples, bullied nine year-old Peppino is watching the world around him as his extended dysfunctional family change. Psychedelic flower power and hippie love is threatening the old traditional southern Italian family. Dad is having an affair and Mom has taken to her bed with depression. Super-mod brother and sister Titina and Salvatore take the boy under their wings, introducing him to demonstrations and love-ins, whilst caped superhero Gennaro visits Peppino even after being knocked down and killed by the number 12 bus. It is the imaginary appearances of this older superman cousin that help the nine-year-old navigate the complicated adult world.
No overview available.
Four different love stories are intertwined and played by the same cast
A few weeks before the Fall of the Berlin Wall, Pago, Rice and Bibi leave the calm city of Cesena looking for adventure: a ten-days-long holiday in Eastern Europe, in those places where the Soviet regime is still alive.
Enzo and Monica, two engaged thirty-year-olds from the outskirts of Naples, lead a life of routine until Enzo makes a sharp bet at the illegal lottery, thanks to which he wins a trip offered up for grabs by the criminal who runs the game. The journey turns out to be an experience somewhere between comical and traumatic, because Enzo and Monica are like two fish out of water in all the contexts in which they find themselves. Even more traumatic, however, is their return to Naples: their trip was wanted by an American laboratory for an anthropological study, which will transform them, despite themselves, into stars.
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