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Hundreds of hours of raw material shot by Nathan Axelrod, a pioneer of Israeli filmmaking before the State of Israel who documented the building of the Jewish Yishuv in Palestine – are the building blocks of the film before us: Meir Dizengoff riding his horse, Hannah Maron as a young girl trying to sell us shoelaces, the inauguration of the new port in Tel Aviv, settlers breaking ground in Hanita, the Habima Theater and Hannah Robina, the stars of the Matateh Theater, two kids tap-dancing, Ben Gurion and Shlonsky`s hair-dos, a Tel Aviv soccer match, the illegal immigration, scenic shots (swamps and desert), and more and more from the never-ending treasures of the “Carmel Films” archive.
Status
Released
Original Language
EN
The hunt for imperial gold continues. A priceless scepter, a treasure that could secure a worry-free life in sunny Rio de Janeiro for Ibrahim Bender and his young apprentice Ostap, has slipped from under their noses and ended up in possession of Nestor Makhno, an anarchist army commander. Makhno is convinced that the scepter is one of many imperial relics hidden in the area. With mafia, partisans, and officers of the Red and White armies all determined to get their hands on the fabled gold cache, Ostap and his mentor Ibrahim must surpass their own brilliance to outmaneuver their rivals and snatch the prize. And with Ostap’s beloved fair maiden losing her trust in him, he must do everything in his power to win her back and stop her from marrying another man.
