“This film tells the story of the rebirth of Polynesian tattooing, then its expansion, told by the three greatest masters of Polynesian tattooing.”
Roonui Anania, Chimé and Purotu started tattooing themselves and tattooing in the street, by snatch, that means with sewing needles attached to match sticks, then electric razors. Indian ink in a beer cap and off we went. Then Tavana Salmon brought back the first pig tooth combs, which they were not able to use for long due to hygiene. Impossible to sterilize. We had to go back to the electric razor, look for solutions. This film tells the story of the rebirth of Polynesian tattooing, then its expansion, told by the three greatest masters of Polynesian tattooing.
Director
Writer
Status
Released
Original Language
FR
Budget
$13,500
A precocious sculptor, famous at the age of 15, Joachim Badindamana was born in Congo Brazzaville in 1950. He began by working in wood in the style of Muta Mayola and very quickly won a first sculpture prize and then a scholarship. allowing him to study fine arts in Germany. He made his life between Berlin and Dusseldorf in the 1970s and then turned to creating monumental bronzes before returning to Congo at the invitation of President Sassou Ngesso in the early 1980s. Author of monumental bronze sculptures erected in the public squares of Brazzaville from the 1980s, his emblematic works of the Congolese capital disappeared during the events of 1997. The population recovered the bronze to make pots. For Gastineau Massamba, Les Demoiselles de Brazzaville is an important work for the history of contemporary Congolese sculpture.
Himself
A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
