The Three Million Trial (1926)

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

Mahmoud Darwish was a Palestinian poet and author who was regarded as the Palestinian national poet. He won numerous awards for his works. Darwish used Palestine as a metaphor for the loss of Eden, birth and resurrection, and the anguish of dispossession and exile.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

Aavas is a nepali music video about love

A young lad with a penchant for spinning elaborate yarns gets himself in deep trouble when he tries to tell people that he really did witness a terrible murder. Unfortunately no one believes him--except the killer. This multi-national drama/thriller, set within a resort community on the Adriatic Sea is a remake of the 1949 film The Window. A screen adaptation of a Cornell Woolrich story of the same name.

No overview available.

A haunting and powerful psychological thriller. Set in icy upstate New York in the winter of 2002, "After" is about the Valentinos, a middle class clan facing financial hardship--their family stone cutting business is slowly failing--and coping with the usual rivalries and resentments that affect all but their absent daughter, Samantha, who has recently escaped Rochester for a new life in lower Manhattan. At their center is matriarch Nora (Quinlan), whose cheerful exterior masks an emotional fragility of which the entire family is painfully aware and fiercely protective. But, their delicate balance is threatened by a carefully concealed secret that, once revealed, will change their lives forever.

Making of documentary surrounding the production of ‘Anora’

A thief is stalked by a car yard mascot after stealing one of its vehicles.

No overview available.