

“Every meal could be their last.”
The film follows in the wake of young Rosa who flees bomb-stricken Berlin in the autumn of 1943 and heads to a small, isolated village near the eastern border. This is where her in-laws live and where her husband, who’s deployed on the front, has advised she take shelter until the war ends and he returns. Rosa soon discovers that this seemingly sleepy village conceals a secret: in the forest bordering the hamlet is Hitler’s headquarters, the Wolf’s Lair.
Director
Screenplay
Screenplay
Screenplay
Status
Released
Original Language
DE
Revenue
$945,973

A man spends peacefully his days in hospital without too many worries. He has been hospitalized for a while but that condition seems like the best way to live his life, safe from everything and everyone, without responsibilities and problems of any kind. It feels really good in there and even if some of his ward companions feel trapped, for them he can also feel free like nowhere else. That precious routine runs smoothly until a new person is admitted to the same ward. She is a restless, angry companion, she accepts nothing of that condition, especially the unwritten rules. She is not willing to wait, she wants to leave that place better or even worse. She wants to live as she should or die, as happens to those who end up in there. He is overwhelmed by that fury, first trying to defend himself and then accepting something incomprehensible. That encounter will help him accept that if you choose to truly face your heart and your emotions, there is no possible repair.
Heike

The vampire myth is given a stylish 1960s treatment, where a human cop partners with a vampire cop to stop a vamp bent on creating a war between the two "separate but equal" races.