The Street of Forgotten Men (1925)

Serial killers have plagued the American landscape for decades, committing gruesome atrocities, and providing some tough cases for criminal investigators to crack. Two detectives are on the trail of a bizarre murderer intent on slaughtering his victims, then using them as real-life puppets in a tale that he is trying to tell.

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A teacher and his student go on a trip to a magical island where there is urban life and tourist attractions as well as a palace and temples. Moreover, a haunting past still gnaws, spreads, mates and mutates in a loop that cannot be eliminated. It dissolves and mixes with memories affecting the present and possessing a power that can destroy the future. In this vague atmosphere, the place slowly becomes deserted like a nightmare you want to wake from but cannot resist

Millionaire film producer Gordon Bagley wants to marry Ethel St. John, the leading lady in his latest film. Ethel is in love with Arthur Young, the hero of Bagley's lastest movie. Work on the film starts, and at the preview screening is shown to be disasterous. Ethel then goes away with Arthur, while Gordon runs on a rotating movie set.

Synopsis::: The movie narrates the tragic life story of Roshanbai and how she triumphs over the insensitive society. Roshanbai used to visit the bathing ghat every morning where she could hear the prayers of a brahmin. Roshan fell for him and decided to leave her profession. She wished to start a fresh life with the brahmin. She showered Sohanlal, the agent with money so that he would free her from the profession. One day Roshan pretending to be a destitute brahmin girl won the brahmin’s attention and he gave her shelter. She was content with her new life at the brahmin’s place.

Convicts on a chain gang sniff formaldehyde fumes to get high. They attempt a prison break and are shot down by the guards. After being buried, they rise from the dead, killing all in their path with shovels and hoes.

Shinkichi, a peasant employed as a cloth-dyer, has a dream: in the midst of the civil war which ravages Japan, he hopes to revive the long-banned custom of the Kyoto Gion Festival, and by doing so, bring together the warring clans and rampaging brigands in peaceful celebration.

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"'Rote Movie' is part of a series of works examining aspects of the traumatic experience. It is an examination of decay and forgetting, where what both distance and time can bring to one's private feelings of belonging and home. Highly immersed in a fragmented and disjointed haptic space of its own materiality, this film stutters out its thoughts frame by frame" - Steven Ball, 'Mesh' 3, Autumn 1994.

A group of students are preparing works for an art exhibition, they belittle a myth that "Any inanimate object that resembles a living thing, is not just a dead-object"