The Split (1968)

Blue, a yet-to-be discovered painter, is left by his longtime girlfriend because she considers him too immature for a lasting relationship. Eli, Blue's best friend, works for his father's garment business and is still searching for a woman who's interesting enough to spend more than one night with. Blue and Eli's friendship is put to the test when they both fall for Liliane, Blue's exotic gallerist.

This lurid exposé of the Hitler Youth follows the woes of an American girl declared legally German by the Nazi government.

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.

In this deeply personal film, director Roger Ross Williams sets out on a journey to understand the complex forces of racism and greed currently at work in America's prison system.

Sailor is brought by the police as a recruit to the navy.

In every corner of our vast country there are talented people worthy of recognition and glory. They flock to the capital and take part in popular television shows. But the spotlights go out, and life goes on. And not as they saw it ... Each of the heroes - young and adults, ambitious and modest, lonely and in love - will have to go through many trials. They are waiting for ups and downs, meetings and partings, friendship and betrayal. But in the end they will become one big team, a family that unites different people from the most remote towns of our big country, in the name of music, talent and, of course, love!

Acting as both pseudo-sequel to, and remake of, Cutting Moments, Buck's follow-up changes the focus from the matriarch to the father... or, more fittingly, the many fathers... and the sins they pass down. Eschews explicit violence for a more psychological approach, to a no less harrowing result.

With her the husband and her mother Katya lives in a small provincial town and works at the local factory. The mother suddenly falls ill and decides to transfer her property to her son, Katya’s brother. Katya feels this decision to be unjust, and begins to fight for her inheritance. In pursuit of imaginary material well-being Katya decides on a most desperate act.

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