The Sheriff (1959)

Several pillars of society have robbed an Army safe containing $100,000 so they can buy the land upon which the coming railroad will be built. But they haven't reckoned on the presence of the master gunslinger, Sabata.

A man and his partner arrive at a small Western town to kill its most powerful man because the former blames him for his wife's death.

A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results.

A con man heading west to search for gold teams up with a pair of scheming brothers along the way. The trio soon find themselves in the middle of a feud between two rival families and two underhanded land developers.

Four petty criminals, three men and a woman, wander through the trackless terrain of the Wild West Utah and are hounded by a sadistic bandit.

History Professor Brad Fletcher heads west for his health, but falls in with Solomon Bennett's outlaw gang. Fascinated by their way of life, Fletcher finally takes over the gang, leading with a new 'efficient' ruthlessness.

Two cowboys inherit a "social club" specializing in satisfying men.

A Southern Colonel, his three sons, and a card shark embark on an odyssey through the Southwest carrying a coffin full of stolen money with which the Colonel plans to revive the Confederacy.

While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry's treasures, which Kowalski revels in.

Victims of oppressive town boss Honey are offered help by an unusual alliance of gunmen and circus performers