The Philosophy of Horror: A Symphony of Film Theory (2020)

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this is the untold history of black Americans in Hollywood through their connection to the horror genre.

A mother of two inherits a home from her aunt. On the first night in the new home she is confronted with murderous intruders and fights for her daughters’ lives. Sixteen years later the daughters reunite at the house, and that is when things get strange...

Two couples vacationing together in an R.V. from Texas to Colorado are terrorized after they witness a murder during a Satanic ritual.

A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.

A horror film told in three parts, from three perspectives, in which a mysterious transmission that turns people into killers invades every cell phone, radio, and television.

When an unsuspecting woman stops at a remote gas station in the dead of night, she's made the plaything of a sociopath sniper with a secret vendetta. To survive, she must not only dodge his bullets and fight for her life, but also figure out who wants her dead and why.

What starts as a poignant medical documentary about Deborah Logan's descent into Alzheimer's disease and her daughter's struggles as caregiver degenerates into a maddening portrayal of dementia at its most frightening, as hair-raising events begin to plague the family and crew and an unspeakable malevolence threatens to tear the very fabric of sanity from them all.

The film contains five stories set on desolate stretches of a desert highway. Two men on the run from their past, a band on its way to a gig, a man struggling to get home, a brother in search of his long-lost sister and a family on vacation are forced to confront their worst fears and darkest secrets in these interwoven tales.

Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.