The Orgy House (2018)

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

A dark, gritty drama that wraps around Louie Lazaro. a drug addict and a male dancer. As he tries to escape the evils of his past.

An animated adaptation of Nikolai Gogol's classic short story about an office worker who saves all his money to buy a new coat in time for Christmas, only to have fate take a ghostly hand.

the boys (and Georgina) take on the Emirates stadium in an epic afternoon of parkour! Corruption 4 eva!!!

Kazu becomes distrustful of his current partner Shin and goes to see his ex-boyfriend Takashi. But he finds out that Takashi has gotten married to a woman and feels that he is left with nowhere to go.

Comanche Creek, Colorado, 1875: Prisoner Jack Mason is broken out of jail by a gang of strangers. They use him in a robbery, then when the dead-or-alive reward is high enough, they shoot him and collect. The National Detective Agency, now knowing the gang's methods, arranges to have agent Bob Gifford jailed in Comanche Creek for train robbery. The gang takes the bait (not before Gifford catches the eye of lovely saloon-keeper Abbie). But how will the bait get off the hook?

“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.

Story about Incest and the Iraq war.

Road movie documentary through half a century of filmography by Želimir Žilnik. But also a journey through the history of Yugoslavia, a country that no longer exists. With the specific style of docudrama that he built over the years, Zilnik managed to stay engaged and brave, but above all free, by making low-budget films for decades. We follow the efforts of his team to finish the film "Freedom or Comics", which was seized by censorship 50 years ago, and which was recently accidentally found. The story of an uninterrupted struggle for disenfranchised social and minority groups who are constantly the main heroes of Žilnik's films.

“For one thing, this was my first film using negative stock after a lifetime of shooting color reversal. This was a time when I had to open up to a greater freshness of purpose. I had to go forward into the unknown without a plan” (Jerome Hiler).