The Minotaur (2008)

In the forests of Halland lies an old car workshop run by a dysfunctional raggar family.

Balanced on the edge of what is visible, everything comes from nothingness and returns to nothingness. Strands of consciousness trying to convene with each other. Forms of personal significance in a time of crisis, set free into random motion through chance operations. Recurring details point towards a center.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

Youp van 't Hek cheerfully flits between the following four questions: What are we willing to die for? How high will we rise in heaven? What does heaven have to offer us? Why is life on earth such hell for so many people? Youp doesn't give any real answers because he simply doesn't know them, but his jokes do lighten the mood.

A brief, poetic 16mm film on a simple sculptural action. What becomes apparent is the humor possible in material interactions and the tender and sometimes melodramatic symbolism of cut flowers. What begins as a reverence for natural beauty ends up pointing towards the abstract expressionism and color field work of high modernism which, in many cases eschewed the banality of such 'natural' beauty. The collaged soundtrack suggests weightier concerns, gently insistent behind the flatness of the utilitarian sounds of ripping tape.

An innocent mix-up leads to disaster when two girlfriends encounter an extraterrestrial substance at a winter music festival.

After having been wrongly accused of murder and robbery, a heretofore kindly and gregarious weaver becomes a nasty, bitter, lonely old miser. Originally a seven-reel picture, a three-reel re-release survives.

Using a childhood experience of racial bigotry at school, this film looks at the ways in which racism is ingrained in American society, even in the play of children. MONIQUE is a compelling exploration of identity and memory.

Masha and Valya, vegetarians and abstainers, invite their former friends Natasha and Sergey over. Natasha and Sergey took a mortgage, they are planning a child. Natasha tries to persuade Masha to throw a wedding party, nevertheless she hints at Valya being no good for Masha. Masha in reply tells Natasha that her husband Sergey drinks vodka on the quite. Natasha makes a scene to Sergey. Masha tries to reconcile friends and convince them of their relationship being cracked. The guests are leaving. Valya blames Masha for climbing out of her business. Masha and Valya have a quarrel. Masha remains alone.

While Hirono is in prison, his rival Takeda turns his own crime organization into a political party, whose two executives stir up new tensions in their thirst for power.