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In a peasant's cot we find a fair, young maiden who is loved by an honest, true-hearted peasant lad, while yonder stands the manor of Glenwood with its noble lord, who chanced to pass by one fair day and there noble eyes met peasant meekness and love found work a-plenty to do. But maiden thought naught of my lord o' the manor, nor so much as gave him cause to hope that all his castles and lands could win her heart from the true peasant lad who had gone forth in the world to win humble living for his bride to be. It was then that Dame Poverty came knocking at the peasant's door and upon her heels crept a fever which held the young sister close within her breast only waiting for death to knock gently at the humble cot. And still no word from the loved one in a foreign land! Had he deserted his fond-hearted lassie? Weeks passed by and still no word nor sign of the one held most dear, and then my lord of Glenwood Keep came suing for her hand.
Director
Status
Released
Original Language
EN
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
