The Girlfriend (1989)

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

This film puts you inside the head of a dyslexic child trying to get through the 5th grade in the 1970's.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

In the gray dawn of an October day, as the inhabitants of a village street in Tripoli are engaged in the enjoyment of their several pursuits of life, an Arab rushes upon the peaceful scene, announcing that Italy has declared war against Turkey and that the Italian warships are now in the harbor, shelling the city.

In this sequel, Lillian has been adopted and it's several years later. Annie, married and pregnant, visits her fellow doctor friend, Dr. Owen. Dr Owen desperately wants a baby, but seems unable to become pregnant. Lillian finds a love interest, an assistant to her adoptive dad, the latter has become quite overprotective.

Jim is a test pilot. His wife Ann and best friend Gunner try their best to keep him sober. But the life of a test pilot is anything but safe.

A couple embark on an early vacation. Left alone, their children cut loose until the boy gets caught for skipping school and things take an unexpected turn. Boasting exquisite camera work, the film is also unforgettable for its wholly original ending.

A local council worker inspects three homes.

“I don’t drive, but I know people who’ll drive 100 metres to go to the shops. Our society is obsessed with the car, with coming and going, getting somewhere. I used very intricate matting, some shaped like knives. I wanted the cars to slice each other in two, creating a kind of hurdy gurdy atmosphere…an abstract rushing to and fro, going nowhere. The first half of the film is silent. The second half, a grainy dupe of the same images, has sound and is far more urgent and aggressive.” (Paul Winkler)