The Forgotten Faces (1961)

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

After Italian capitulation in WW2, German forces are rushing to take control of the Dalmatian coast, forcing thousands of people to take refuge. One partisan boat, filled with refugees, tries to reach a safe area, but because of a storm it must stop near a small island. While the crew tries to repair it, a German gunboat comes from nearby.

Skinemax is Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It's long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind. A nostalgic look back at a half remembered childhood growing up in the 80s and early 90s, Skinemax takes a close look at the culture of that era. The images that motivated, delighted, and terrified us on the silver screen, set to propulsive modern music that pines for a simpler time.

In a war-torn Asian land, peace lies in the hands of the Bagwun, a revered religious leader. When he is wounded in an assassination attempt, his sworn protector, Deva, sets out on a dangerous journey to find the one man who can provide the rare blood type needed to save her master's life. The potential donor is John Tremayne (Biehn), an embittered form US Special Forces operative. Together, this unlikely pair must run the gauntlet laid down by rebel leader Lompoc (Yam) and his aide Guang Di (Pei).

When things go wrong at the circus, it's up to Superman to stop the escaped animals.

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An astute policeman, Ashok Nariman, is determined to get to the bottom of a murder case, for which a guiltless man has been declared guilty and is facing the likelihood of capital punishment.

Everyone has impulse which happen suddenly in their life.

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.