The Family (1987)

Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.

Vanni, Gregorio and Livia are brothers. The first is a well-known pianist, the second has abandoned his career as an aspiring violinist to become a deejay. When Vanni discovers that his father has disappeared into thin air, together with Gregorio they decide to call his sister Livia. The three relatives travel the length and breadth of Tuscany to find their missing parent.

A successful businessman whose destiny leads him to a secluded Swiss chalet where his life is put on trial by a group of retired law professionals. The men assemble to analyze Sordi's rise to power and his increasingly immoral behavior as he attained success, and the warped perceptions of right and wrong he has adopted to remain successful.

Serafina, Pulcinella and Isabella are three lusty, beautiful members of a traveling theatrical troupe touring the French countryside in the 17th century, leaving in their wake a crop of broken hearts. This picaresque romantic comedy is based on the 1863 novel Le Capitaine Fracasse by Theophile Gauthier. In the story, the company stops at a castle owned by the scruffy young Baron de Sigognac, who is deeply smitten with the charms of the middle-aged (and somewhat morose) beauty Serafina. He decides to travel with the company, and Serafina perversely tries to get him to woo the youngest of the company, the newly bereaved Isabella.

Shot between Milan and Viareggio, in the places tied to Giorgio Gaber’s life, the undisputed protagonist of one of the most precious chapters in Italian entertainment, spanning from light music to teatro canzone. An intimate and exclusive journey.

With her father on trial, 15-year-old Mignon leaves Paris to stay with her Italian relatives. The rather prim, snooty teen at first struggles to fit in with the more earthy Forbicioni family, each with their own problems. Eventually she bonds with her lovestruck little cousin Giorgio—who'll learn important life lessons over the course of his summer with Mignon.

In a high school in the outskirts of Rome, it's the last day before the summer holidays. A literature teacher reminisces the past year and wonders what will become of the students he cared for as if they were his children.

The film presents the tale of Agnese Ascalone, daughter of prominent miner Vincenzo Ascalone, and takes place in a small town in Sicily. Agnese is seduced by her sister Matilde's fiancé, and has a tryst with him for which she confesses and tries to repent, only to be discovered by her mother and father.

Matteo is a young successful businessman, audacious, charming and energetic. Ettore instead, is a calm, righteous, second grade teacher always living in the shadows, still in the small town from where both come from. They’re brothers but with two very different personalities. A dramatic event will force them to live together in Rome for a few months, bringing up the opportunity to face their differences with sympathy and tenderness, in a climax of fear and euphoria.

Sergio driving a taxi in a white Naples overflowing sadness and garbage. Pouring rain leads her clients through the city trying to process the death of his brother, who started ten years earlier for Tibet and never returned. A pop singer, a recycler of fragments of life, a radio announcer, an old uncle, alternate seats on its bearing, each in its own way, a trace of his brother loved. Stubborn not to go over and get lost in an endless race, Sergio is overwhelmed by memories and the music produced in pairs with Alfredo, which in Buddhism and in its foundations had found the strength to cope with the disease. Those notes that he believed buried and laid to always return overbearing and demanding a soundboard that resonate and express his being sound. Putting his hand on the piano, Sergio Alfredo feel again, giving the past with the present and realizing itself in the feeling.