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The Deccan Trap is a sci-fi fable that goes back in space and time, with one layer at a time revealed from a cut out collage of stacked images. The piece travels from some of the newest 3D images being produced in India—at post-production studios converting outsourced Hollywood films from 2D to 3D—to some of the oldest—bas-relief carvings in Ellora’s rock cut temples in Maharashtra.
Director
Status
Released
Original Language
EN

Ready Mix (2021) is a forty-five-minute film shot over two years at a concrete plant in central Idaho. Ready Mix records the churning transformation of mineral aggregates and cement binders into one of the world’s most ubiquitous building materials: ready-mix concrete. The film’s extra-wide aspect ratio references the surveying origins of the anamorphic format. Developed during World War I to give military-tank operators more expansive views of the terrain, the format later became a staple of Western genre films. Ready Mix collapses this perspectival depth into visual flatness and material density. In doing so, it counters the ways in which Westerns traditionally frame the landscape to perpetuate the myth of the so-called frontier as receding, empty, and untamed.

A thrilling journey through legends, belief and folklore, this film goes behind the scenes with the British Library as they search to tell that story through objects in their collection, in an ambitious new exhibition: Harry Potter: A History Of Magic. J.K. Rowling, who is lending unseen manuscripts, drawings and drafts from her private archives (which will sit alongside treasures from the British Library, as well as original drafts and drawings from Jim Kay) talks about some of the personal items she has lent to the exhibition and gives new insight into her writing, looking at some of the objects from the exhibition that have fired her imagination.