The Danger (1963)

No overview available.

Set over three generations and beginning with a sexually frustrated orderly during WWII who relieves his tensions in the most outlandish, gross ways. The result of his liaison is a glutton who grows up to be a champion speed eater. He produces a child who becomes obsessed with taxidermy.

When The Strangers learn that one of their victims, Maya, is still alive, they return to finish what they’ve started.

After suffering a potentially career-ending brain trauma, Cameron Cade receives a lifeline when his hero, legendary eight-time Championship quarterback and cultural megastar Isaiah White, offers to train Cam at Isaiah's isolated compound that he shares with his celebrity influencer wife. But as Cam's training accelerates, Isaiah's charisma begins to curdle into something darker.

SUMMARY:- A girl wakes up early in the morning to witness an immense Pain in her groin area & discovers blood on the bedsheet which makes her very uncomfortable to face her father. The next series of events lead her to understand whether she can speak about it or not, moreover, an important incident is highlighted between the use of face mask and sanitary pads as both are used for protection purposes. In this, her father get involved consciously and maintains stability and at the same time respecting her daughter's emotion in order to make her understand about the scenario, makes it even more effective love & affection for the father-daughter duo in facing each other and also towards the society.

Estranged, quarreling brothers Carezza and Sorriso have to put aside their differences to reclaim their father's beloved dune buggy from predatory real estate developer Torsillo, with the help of beautiful circus performer Miriam, whose family business is threatened by Torsillo's enforcers.

Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.

The film tells the story of a near future in which the earth is irreversibly sandy, as human emissions and rubbish exceed its carrying capacity. As plants and animals mutate to create the Earth's new masters, the "sand worms", which are slaughtering the planet and driving humans to the brink of extinction, the survivors are left to their own devices to find the only remaining refuge in the deep desert, the "Oasis". An exiled team of wealthy businessmen, scientists, security chiefs, mechanic families and gangsters set out on an adventure to find the Oasis in a special armoured vehicle, but the bloodthirsty insects are hot on their heels.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

A fearsome 19th century bandit, Cobra Verde cuts a swath through Brazil until he arrives at the sugar plantation of Don Octávio Countinho. Not knowing that his new guest is the notorious bandit and impressed by his ruthless ways, Don Octávio hires Cobra Verde to oversee his slaves. But when Cobra Verde impregnates Don Octávio’s three daughters, the incensed plantation owner exiles the outlaw to Africa where he is expected to reopen the slave trade. Following his trans-Atlantic journey, Cobra Verde exploits tribal conflicts to commandeer an abandoned fortress and whips an army of naked warriors into a frenzied bloodlust as he vies for survival.