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Performing gender and bending gender always had an element of risk. As, of course, it still does now. I think what's interesting about the John Kelly film The Dagmar Onassis Story, and the many drag performers that are featured in it, is that it shows how many different strategies and politics and poetics of drag there were in the East Village at that time—ranging from Joey Arias and Klaus Nomi, who appeared with David Bowie in spaceman fashions on Saturday Night Live, but also you have RuPaul, Lady Bunny, and Ethyl Eichelberger. There were many different drag strategies but drag was definitely underground, punk, subversive. There’s something about a John Kelly performance which has the heightened theatricality of a drag performance, but it’s also incredibly lyrical and emotional and it’s hard not to get caught up with the intensity and the adoration of a fan who is so deep that he actually becomes this persona.
Director
Director
Status
Released
Original Language
EN
Manhattan drag queens Vida Boheme and Noxeema Jackson impress regional judges in competition, securing berths in the Nationals in Los Angeles. When the two meet pathetic drag novice Chi-Chi Rodriguez — one of the losers that evening — the charmed Vida and Noxeema agree to take the hopeless youngster under their joined wing. Soon the three set off on a madcap road trip across America and struggle to make it to Los Angeles in time.
