

The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.
Director
Writer
Status
Released
Original Language
XX

Norwegian immigrant Marta Hanson keeps a firm but loving hand on her household of four children, a devoted husband and a highly-educated lodger who reads great literature to the family every evening. Through financial crises, illnesses and the small triumphs of everyday life, Marta maintains her optimism and sense of humor, traits she passes on to her aspiring-author daughter, Katrin.

A woman in an unhappy relationship takes refuge with a friend's family on holiday in Tuscany.