The Crowd (1928)

The just-out-of-college, effete son of a no-nonsense steamboat captain comes to visit his father whom he's not seen since he was a child.

A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797.

An uncompromising, visionary architect struggles to maintain his integrity and individualism despite personal, professional and economic pressures to conform to popular standards.

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems. Featuring ongoing dialogues of experts from all over the world, including former Soviet Prime Minister Mikhail Gorbachev, renowned scientist Stephen Hawking, former head of the CIA R. James Woolse

The incredible story of the Italian Emilio D'Alessandro, personal driver of the great director Stanley Kubrick (1928-1999), who met Emilio by chance in London in 1971 and hired him, thus establishing a deep friendship that lasted thirty years and helped create four masterpieces of cinema. A moving tale about two seemingly opposing people who found their ideal travel companion far away from home…

Norbert Witte, once the king of the only amusement park of the former GDR, today he is behind bars in Germany. When fleeing bankruptcy in Berlin, Norbert Witte and his family secretly shipped their rollercoasters to Peru. Things went wrong here too. In a desperate attempt, Norbert tried to smuggle cocaine to Germany. Three years later his 23 years old son Marcel was sentenced to 20 years in a Peruvian prison. Now the father is doing everything he can in order to free his son.

Adebar is the first of Peter Kubelka's 'metric films', in which every element of the composition is precisely ordered and in relation to the gestalt. The film is made up of single units---13, 26 and 52 frames long---which are subjected to a complex rule-system, including a strict use of positive and negative space, that determines their structure within the film.

Tania learns that her grandmother spent the last years of her life in the loving company of an alien. Together with two friends, she travels through rural Argentina to bring the creature back to its place of origin.

A photographer takes up newsreel shooting to impress a secretary.