The Clash (2019)

A group of Central-American teen-agers depart from the slums of Guatemala City escaping poverty and violence, towards the promised land of California.

18-year-old Lina arrives in Paris for her studies. She comes to look for what she has never found in Lebanon, her country of origin: a certain form of freedom. The survival instinct as the only baggage, she sails from one Paris to another to the rhythm of her romantic encounters.

Based on a true story, in late 1970s Barcelona, Manolo Vital, a bus driver, takes bold action to protest the neglect of Torre Baró, an immigrant neighborhood. His act becomes a symbol of resistance against systemic inequality during a pivotal moment in the city’s modern transformation.

On the outskirts of Rio de Janeiro, Irene has only a few days to overcome her anxiety and renew her strength before sending her eldest son out into the world.

Rory is an ambitious entrepreneur who brings his American wife and kids to his native country, England, to explore new business opportunities. After abandoning the sanctuary of their safe American suburban surroundings, the family is plunged into the despair of an archaic '80s Britain and their unaffordable new life in an English manor house threatens to destroy the family.

In a bustling Mexican household, seven-year-old Sol is swept up in a whirlwind of preparations for the birthday party for her father, Tona, led by her mother, aunts, and other relatives. As the day goes on, building to an event both anticipated and dreaded, Sol begins to understand the gravity of the celebration this year and watches as her family does the same.

Juan and his urban family live in the Mexican countryside, where they enjoy and suffer a world apart. And nobody knows if these two worlds are complimentary or if they strive to eliminate one another.

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

One summer, Dario flees the hellish environment of his home. Luismi, unconditional friend, a poor devil with pretensions of winning, and Antonia, an old woman who collects abandoned his motorcar furniture, become his new family. Three generations living together in a city too big to be alone.

In the 1990s, an immigrant single mother raises her teenage son in the Canadian suburbs, determined to provide a better life for him than the one she left behind in South Korea.