The Brandenburg Arch (1929)

Follows a couple, Marta and Antonio, who split up after what seems like an trivial argument.

Nelie escaped a miserable existence by becoming a frontline nurse in 1914. One day, she takes the identity of Rose, a young woman from a good family, who dies in front of her. She presents herself in her place at Madame de Lengwil's house, to become the reader of this wealthy woman.

Zahira, 18, is close to her family until her parents ask her to follow Pakistani tradition to choose a husband. Torn between family customs and her western lifestyle, the young woman turns for help to her brother and confidant Amir.

A few days before Christmas, having quit his job in Germany, Matthias returns to his Transylvanian village. He wishes to involve himself more in the education of his son, Rudi, left for too long in the care of his mother, Ana, and to rid him of the unresolved fears that have gripped him. He’s also eager to see his ex-lover Csilla and preoccupied about his old father, Otto. When a few new workers are hired at the small factory that Csilla manages, the peace of the community is disturbed, underlying fears grip the adults, and frustrations, conflicts and passions erupt through the thin sliver of apparent understanding and calm.

Antonio, a former shipyard worker, leads a mild and peaceful life: he plays bowls with friends, takes care of his elderly mother, has an ex-wife with whom he is on excellent terms and Emilia, his only and beloved daughter When Emilia announces to him one day that she has decided to get married, Antonio is filled with joy, he can finally fulfill his dream by giving her the reception they have always dreamed of together being able to count on the savings of a lifetime.However, the bank of which he has always been a client seems to be hiding something, the employees are suddenly elusive and the director inexplicably changes constantly.The task of paying for his daughter's wedding will prove increasingly difficult and Antonio will discover, against his will, that those who keep our treasures don't always keep our dreams as well.

South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.

Rory is an ambitious entrepreneur who brings his American wife and kids to his native country, England, to explore new business opportunities. After abandoning the sanctuary of their safe American suburban surroundings, the family is plunged into the despair of an archaic '80s Britain and their unaffordable new life in an English manor house threatens to destroy the family.

Mexico City. Every day, Beatriz is insulted and humiliated by her jealous husband, but she does not flee his side because they have created a codependency and, at least for her, she would not conceive of her life any other way: by dint of feeling humiliated, she feels desired and desirable.

1965, Dominican Republic. At a seaside brothel, the lives of a group of prostitutes take a dramatic turn when freedom fighters stage a revolutionary coup, making them realise they can have a better life and perhaps find love. But everything changes when the US army supresses the revolution and takes the brothel as a military base: the girls will have to face the dilemma of either sleeping with the enemy or protecting their dignity at all costs.

A stagnant and gloomy village in the 1980s. Reyhan, Nurhan, and Havva, three sisters were sent to town as 'besleme' (foster child and maid). Since they fail their foster parents for different reasons, they are sent back to their father's house in their poor village. Deprived of their dreams of a better life, they try to hold on to each other.