The Boom (1963)

Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.

Nero is on holiday at the seaside. Poppea, Seneca and many other guests are with him. Nero is preparing a great show where he will be the star. When Agrippina, his mother, arrives with her German praetorians and decides Nero has to conquer Britain, she is asking for trouble. Many attempts of murder and poisoning will happen on the eve of his great show.

The master Impallato takes care of the boys in a suburban after-school. Here he discovers a pupil with an extraordinary baritone voice.

Villa Borghese, Rome's biggest urban park, is the place where everyday laughs and dramas are consumed. The movie is made of six vignettes set there.

Tony Hawk's Boom Boom HuckJam arrives in the town of Lincolville and bumps a crummy circus. The evil circus ringleader, Grimley, exacts his revenge by kidnapping Tony and jacking the HuckJam. Tony's only hope is a bunch of local skater punks.

Dora, driven away from her town by malicious gossip following her first love affair, has a series of short-lived adventures until she falls in love with Nino, a small time crook. In Parma, a police officer courts her but she keeps thinking of Nino.

Four men of different age groups meet a beautiful woman at a romantic place. The situation leads to comical incidents and social issues.

When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.

Two agents of the mouse-run International Rescue Aid Society search for a little orphan girl kidnapped by sinister treasure hunters.

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.