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“We're Both on Borrowed Time”
A man's rare condition is the catalyst for a lovely connection.
Director
Writer
Status
Released
Original Language
EN
Budget
$4,000
Revenue
$25
The Crab Guy
The Doctor
An aquatic journey
A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.
6 weeks before her 18th birthday Katharina inherits her mothers farm with all it's problems. At the funeral she meets her two uncles, which she never met before, but turn out to be very helpful.
No overview available.
The filmmaker goes to discover Meir the village where her great-grandparents were born, the place her grandparents left, but continued to love. When she goes, she discovers a village that people are trying to leave.
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.
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Don Juan Tenorio makes a bet with a friend as to which of them will commit more outrages in a year. He wins, killing twirty-two men and seducing seventy-two women. In the end, however, he is saved from damnation through a return to true belief and the love of a saintly woman, Doña Inés.
The demonic Nicholas Diabolus is put on trial accused of interfering with people's lives.
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