Television: French Version (1931)

Two carnies (Sewell and Gugino) abduct a mermaid in Ireland, circa 1900, and decide to transport her to America. As their ship loses its way and heads towards the mythical Forbidden Islands, the mermaid begins to display its deadly side.

The story of two men, one married, the other the lover of the other's wife, who meet in the trenches of the First World War, and how their tale becomes a microcosm for the horrors of war.

A hypochondriac vacations in the tropics for the fresh air - and finds himself in the middle of a revolution instead.

After returning home to his long-estranged mother upon a request from her deathbed, a man raised by his parents in an orphanage has to confront the childhood memories that have long haunted him.

After a cheerleader is sexually assaulted by the high school football team, she must overcome her shame and use the evidence gathered from the subsequent social media firestorm to piece together the night that she can't remember in her fight for justice. Based on the true story of the Steubenville, Ohio rape case.

A group of dated appliances, finding themselves stranded in a summer home that their family had just sold, decide to seek out their eight year old 'master'.

A group of teens discover secret plans of a time machine, and construct one. However, things start to get out of control.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

Three Chaplin silent comedies "A Dog's Life", "Shoulder Arms", and "The Pilgrim" are strung together to form a single feature length film. Chaplin provides new music, narration, and a small amount of new connecting material. "Shoulder Arms" is now described as taking place in a time before "the atom bomb".

Film geek Josh is looking for the subject of his new documentary when a chance meeting puts the perfect star in his sights—Dylan, his school's most popular junior. But Dylan's hopes of using the film to become Blossom Queen don't quite match with Josh's goal to make a hard-hitting exposé about popularity. Will Josh shoot the film as planned, or show Dylan as the truly interesting person she is?