Support (2019)

Mexico City. Every day, Beatriz is insulted and humiliated by her jealous husband, but she does not flee his side because they have created a codependency and, at least for her, she would not conceive of her life any other way: by dint of feeling humiliated, she feels desired and desirable.

An aimless young troublemaker, Alessandro, squanders his days gambling and getting into fights, and he often spends his nights in jail. With few prospects, he begrudgingly accepts a job as a companion to Giorgio, an elderly poet suffering from Alzheimer’s. On their daily walks, the two banter and become friends, and Alessandro quickly learns more about this forgotten poet as the old man’s memory drifts. After learning a secret from Giorgio’s past, Alessandro and his friends work to uncover the mystery of this tale, an unexpected history lesson and a touching coming-of-age adventure.

This film is different from the previous ones; its themes are more mature, and the characters and situations are different. The protagonist is still Mariana Ávila, who now has to face adulthood and marriage.

A 22 year-old Bangladeshi-Italian Muslim boy meets a beautiful, exciting Italian girl who makes him re-analyze his beliefs and culture.

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On election night in 1981, celebrations spill out onto the street and there is an air of hope and change throughout Paris. But for Elisabeth, her marriage is coming to an end and she will now have to support herself and her two teenage children. She finds work at a late-night radio show and encounters a troubled teenager named Talulah whom she invites into her home.

The drama is centered on four friends and business partners who in one evening are forced to find a way to save their company and themselves. The impossible decision they face is agreeing on who will be the one to sacrifice their freedom to save the others from personal and financial demise. It is a race against time that will put their friendship and sanity to the test. Who will take the fall?

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