Suck Me Shakespeer 2 (2015)

During an emergency landing on a deserted island suddenly traumatized by antiauthoritarian education Lena Schneider together with the Turkish Super Macho Cem Öztürk must fight for survival. After initially Cem macho repulsive acts on Lena, a jellyfish in the water and sand in a bikini, she recognizes the time the romantic core behind his cool facade. Meanwhile, meet also their parents, who obdurate psychologist Doris and Metin Öztürk to work together to find their missing children. So both generations take an involuntary Turkish Basic Course for beginners.

The Hartmann family is turned upside down when mother Angelika decides to take in the refugee Diallo, against her husband's will. Amidst the typical chaos of our time, hope remains that the family finds its stability, confidence and peace again - just like the whole country.

Quotas for women, parking spaces for women, online shopping, small talk and gossip. Software developer Erol, porta-potty rep Lars, and commercial pilot Helmut are licking the wounds of their masculinity – a female-free zone is what’s needed! In the boiler room of their recently built housing complex, the three stressed husbands create a secret refuge where they can watch football, eat fast-food, drink beer and curse the opposite sex undisturbed. When Aykut, the complex’s facility manager, discovers their last bastion of masculinity, he threatens to close it down. One thing is for sure, the men are not going to give up their little slice of paradise without a fight. Based on the stage play bearing the same name, director Franziska Meyer Price allows men to return to rebellious ladhood.

The most feared battle emcee in the early 1980s in Queens, New York, was a fierce teenager from the Queensbridge projects. At the age of 14, Roxanne Shanté was well on her way to becoming a hip-hop legend, as she hustled to provide for her family while defending herself from the dangers of the street.

Because of their children's bad grades, some parents want the teacher Mrs. Müller gone. They meet with Mrs. Müller and try to convince her to leave the class.

Andi has had an inferiority complex since childhood and not only has to deal with it, but also with girls, feelings and genitalia in different sizes.

This film tells the story of a few uneventful days in the life of six pals. Lali, a great fan of America, owns a sandwich stand on the side of the road, called The Glass Tiger. Gaben pinches cars; Fox is a petty swindler; Sanyi a half-wit homeless; Coco can't shut up about getting some dough and going to America; Slimmy keeps playing the saxophone, despite the others' frayed nerves. Gaben talks Lali into buying an old Chevrolet Impala, the real American dream. After the long escapade of getting the car, Lali doesn't even get the chance to try the Chevvy out, because a truck completely demolishes it. Fox in the meantime is looking excitedly for the "Wreck", what he has been trying to sell for big money. But Lali has sold what he thought to be scrap, not good for anything. Fox is threatened by some tough guys to bring it back or pay up. He has to get money at all costs...

Two buddies visit a friends couple-urban sophisticate, inhibited parents. While they meet with the baby in his room, the two buddies start on bad jokes about his physique. But they ignore that in the kitchen, everyone hears them through the baby monitor !

In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. This documentary revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.

This remarkable animated documentary traces the unconventional upbringing of the filmmaker Jung Henin, one of thousands of Korean children adopted by Western families after the end of the Korean War. It is the story of a boy stranded between two cultures. Animated vignettes – some humorous and some poetic – track Jung from the day he first meet his new blond siblings, through elementary school, and into his teenage years, when his emerging sense of identity begins to create fissures at home and ignite the latent biases of his adoptive parents. The filmmaker tells his story using his own animation intercut with snippets of super-8 family footage and archival film. The result is an animated memoir like no other: clear-eyed and unflinching, humorous, and above all, inspiring in the capacity of the human heart.