Still Game: Live at the Cottiers Theatre, Glasgow (1999)

The story of the couple from the very first meeting to break up told from a view of a man, Jean-Marc. The film shares the same plot with "Françoise ou La vie conjugale", that tells the same story from another perspective.

Feeling unhappy with his gun, Jigen is looking for the world’s best gunsmith. He finally finds out that Chiharu, who runs a watch shop, is the person he’s been seeking. Then, Jigen meets Oto, who comes to Chiharu’s shop looking for a gun. Jigen finds out about Oto's secrets and the mysterious organization that’s after her. After Oto is kidnapped, Jigen gets into a desperate battle to save her.

A short film based on the S.T.A.L.K.E.R. fictional universe, combining the “Picnic to the curb” of the Strugatsky brothers, “Stalker” by Andrei Tarkovsky and the “Exclusion Zone” location around the Chernobyl NPP. According to the scenario, an agent of the peacekeeping forces, nicknamed "The Photographer", arrives in the Zone to prevent a global scale catastrophe, which could be caused by an experiment that went out of control at a scientific lab.

Lord, All Men Can't Be Dogs is a riveting story of the lives of two people, Lisa and Tim Johnson, whose struggles are closely tied with the four spirits that reside in their home. It's a story of temptation, greed and finally, deliverance, mixed with just the right amount of humor! This show will keep you on the edge of your seat, saying, "Lord, All Men Can't be Dogs!"

A women moves to her new apartment and starts to experience paranormal activities but some truth is waiting at the end.

The Stooges run a pet hospital and are the proud surgeons of Garçon, a prized girl poodle of socialite Mrs. Bedford . When two men posing as reporters kidnap the poodle, the boys frantically try track them down.

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The Third Part of the Third Measure creates an encounter with the militant minimalism of black avant-garde queer composer, pianist and vocalist Julius Eastman. The film focuses on what The Otolith Group describe as ‘an experience of watching in the key of listening’, invoking political feelings of defiance and the collective practice of movement building that participates in the global struggles against neoreactionary authoritarianism. The Third Part of the Third Measure invites viewers to attend to exemplary ecstatic aesthetics of black radicalism that Eastman himself once described as ‘full of honour, integrity and boundless courage’.

Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.

An investigation is started after the brutal murder of the daughter of a high class family.