
User Score
12 votes
Marina Abramovic collaborated with videomaker Charles Atlas on this striking work of autobiographical performance. Abramovic delivers a monologue that traces a concise personal chronology. This brief narrative history, which references her past in the former Yugoslavia, her performance work, and her collaboration with and separation from Ulay, is intercut with images of Abramovic engaged in symbolic gestures and ritual acts—scrubbing her feet, staring like Medusa as snakes writhe on her head. Closing her litany with the phrase "time past, time present," Abramovic invokes the personal and the mythological in a poignant affirmation of self.
Director
Director
Status
Released
Original Language
EN

High schooler Yomogi comes across Gauma, a strange drifter claiming to be a Kaiju User. Soon after, a Kaiju attacks, and Gauma summons the giant robot Dynazenon to fight it. Yomogi, his classmate Yume, and local NEET Koyomi are caught in the chaos and join as copilots. Together, they form the Gauma Team. But Kaiju Eugenicists, a secret society of teens with special powers, stand in their way.

SSS is composed from footage of movement improvised on the streets of pre-gentrified East Village by Sally Silvers, Pooh Kaye, Harry Shepperd, Lee Katz, Kumiko Kimoto, David Zambrano, Ginger Gillespie, Mark Dendy, and others, painstaking synched to music previously improvised for the project at Noise New York by Tom Cora (cello), Christian Marclay (turntables), and Zeena Parkins (harp). Beauty emerging from rubble. (Henry Hills)