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There is one principle in the world on screen. It is the principle of construction. Unfinished or abandoned buildings are regarded errors and starts to debug for maintenance of order. However, there is a movement to deviate from the principles of construction-universe. The images start to blend the time and space of the abandoned building and the information of the space under construction. Eventually, the combined data causes errors, and those combined images and sounds attempts to leap out of the flat world of the screen.
Director
Status
Released
Original Language
KO
In August, 2014, a video of the public execution of American photojournalist James Foley rippled across the globe. Foley wore an orange jumpsuit as he knelt beside an ISIS militant dressed in black. That image challenged the world to deal with a new face of terror. And it tested one American family. Seen through the lens of filmmaker Brian Oakes, Foley’s close childhood friend, Jim takes us from small-town New England to the adrenaline-fueled front lines of Libya and Syria, where Foley pushed the limits of danger to report on the plight of civilians impacted by war.
