Snehamulla Simham (1986)

Rome, summer 1943. Four children play war while the bombs of real war explode around them. Italo is the rich son of the Federal, Cosimo has his father in confinement and an atavistic hunger, Vanda is an orphan and a believer, Riccardo comes from a wealthy Jewish family. They are different but they don't know it and between them "the greatest friendship in the world" is born, impervious to the divisions of history that bloodies Europe. But on October 16 the Jewish boy is taken away by the Germans together with over a thousand people from the Ghetto. Thanks to Italo's father Federale, the three friends believe they know where he is and, to honor the "spit pact", decide to leave in secret to convince the Germans to free their friend. Yet another imaginative mission becomes reality, the three children travel alone in an Italy exhausted by war, among disbanded soldiers, deserters, occupying German troops, exhausted and hungry populations.

Dreaming of making a way station for his sister and the villagers who have no choice but to commute along the dangerous train tracks every day, Joon-kyung sends many letters to the President, but with no reply. Ra-hee, who has a crush on Joon-kyung, does everything she can to help him meet the President.

Caterino is a worker at the Ilva factory in Taranto. When the company executives decide to use him as a spy to identify the workers they should get rid of, Caterino starts to track his colleagues, in search of reasons to report them. He then asks to be assigned himself to the Palazzino LAF where as punishment, some employees sit out their time with no job assignment. There he discovers that what looks like paradise is actually a strategy to psychologically break troublesome workers.

Two married couples adjust to the vast social and economic changes taking place in China from the 1980s to the present.

Brittany, France, 1980s. A group of friends, fed up with the boring country life and eager for excitement, create a radio station.

A stagnant and gloomy village in the 1980s. Reyhan, Nurhan, and Havva, three sisters were sent to town as 'besleme' (foster child and maid). Since they fail their foster parents for different reasons, they are sent back to their father's house in their poor village. Deprived of their dreams of a better life, they try to hold on to each other.

Moussa has always been gentle, altruistic and present for his family. This is the opposite of his brother Ryad, a TV presenter of great notoriety who is reproached for his selfishness by his entourage. Only Moussa defends him, who has great admiration for his brother. One day Moussa falls and hits his head violently. He suffers a head injury. Unrecognizable, he now speaks without a filter and tells his relatives the truth. He ends up falling out with everyone except Ryad.

An executive manager, his wife and his family, at the point when his professional choices are about to overturn all their lives. Philippe Lemesle and his wife are separating, their love irretrievably damaged by pressures of work. A successful executive in industrial conglomerate, Philippe no longer knows how to respond to the contradictory demands of his bosses. Yesterday they wanted a manager, today an enforcer. Now he must decide what his life really means.

A young woman who is passionate about ballet dancing and experiences a trauma, and then she meets other women who have experienced similar situations and they find a creative way to pursue their passion.

As Islamic morality squads stage arbitrary raids in Tehran and as fundamentalists seize hold of the universities, Azar Nafisi, an inspired teacher, secretly gathers six of her most committed female students to read forbidden western classics. Unaccustomed to being asked to speak their minds, they soon removed their veils, their stories intertwining with the novels they read: just like the heroines of Nabokov, F. Scott Fitzgerald, Henry James or Jane Austen, the women in Nafisi’s living room dare to dream, hope and love as we experience the complexity of the lives of individuals facing political, moral and personal siege.