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3 votes
Matthias Müller's SLEEPY HAVEN is explicitly taking up the spirit of Kenneth Anger's FIREWORKS. SLEEPY HAVEN materializes fantasies of an erotic daydream; the film is a cocktail that merges Müller's own shots and found footage like a love act. Nude bodies of sailors are flaring up in flickering solarization effects; they are given an ardent aura of physical desire by this tattooing of the film emulsion. Müller only gradually changes his material metaphors to metaphors of love. But it is not only FIREWORKS the film is alluding to; there is yet another classic shimmering through Müller's imagery: Jean Genet's Un Chant d'Amour.
Director
Status
Released
Original Language
DE
Charlotte Castang is a working-class 13-year-old girl, who lives in a drab, run-down neighbourhood, and is ready to become an adult. Her mother died giving birth to her, and she lives with her crass brother and a father whose attention is elsewhere. Her only friend is Lulu, a sick 10-year-old she regards as a pest. Charlotte is antisocial, bored and dreams of a better life. Her life improves when she meets Clara Bauman, a pianist prodigy.