Since the Last Time We Met (2023)

Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...

No overview available.

After finishing prison sentence in Canada and came back to the Philippines, Gemma wants to recover her son after she was abandoned by her husband, Edwin. To do so, she worked as a nanny and was hired by Cindy, new wife of her husband. Being closer to her son in this household, she plans to escape with her son.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

A couple of Sunday school teachers invite Chinese laundry workers to their session. In return the Chinese invite them to an opium den, where the devout schoolmarms quickly abandon their morals!

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.

A man "experiences" current events as he reads about them in the newspaper.

From the middle of an amateur boxing match to its dramatic technical knock-out, the camera follows the quick ballet of the boxers. The action is followed by a variety of spectators, some wild and vociferous, some suffering in silence form what they see; men and women, poor and rich... Then, one sees the amateurs next day, as they work in their true professions, mostly humble ones: street-sweepers, butchers... The end is the beginning: the training, and the warming up until another boxer goes up a spiral metal staircase to another match in another derelict boxing arena.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri