

User Score
11 votes
“Meditation. Architecture. Urban Spaces.”
In this infamous structural film, Ernie Gehr takes to the glass elevator attached to San Francisco's Fairmont Hotel and rides its 24 stories up and down, constantly shifting the orientation of his camera to offer images of the city as a zone of constant flux, freed from gravity and in perpetual rearrangement.
Director
Status
Released
Original Language
EN

Fog has a curious effect on cinema. On the one hand, it precludes the production of those images that seem artificial, on account of their sharpness. On the other, the mist gives each frame a mysteriously narrative quality. The joy of watching the sea and the beach under a blanket of mist allows eluding the world of the quotidian, to suspect the beauty of the uncertain and unstable

Groot discovers a miniature civilization that believes the seemingly enormous tree toddler is the hero they’ve been waiting for.