She Will (2022)

When students in the small town of Cherry Falls learn a serial killer is targeting virgins, they realize their only chance of survival is to throw a “Pop Your Cherry” party.

Jour de Fête tells the story of an inept and easily-distracted French mailman who frequently interrupts his duties to converse with the local inhabitants, as well as inspect the traveling fair that has come to his small community. Influenced by too much wine and a newsreel account of rapid transportation methods used by the United States postal system, he goes to hilarious lengths to speed the delivery of mail while aboard his bicycle.

A maniac on the loose is committing savage acts of slaughter, and one survivor may be the only key to unmasking the serial slayer known as the Half-Moon Killer. The mysterious half-moon lockets he leaves with his victims could be the only key to unraveling his sinister motives, but will that be enough before he completes his ice-cold plot to claim his intended seven victims?

In 1976 Niki Lauda survived one of the most famous crashes in Formula One history. Using previously unseen footage, LAUDA: THE UNTOLD STORY explains what happened on that fateful, and near fatal day at the Nurburgring, then follows Lauda’s courageous journey to recovery culminating in a miraculous comeback in Monza just weeks later. The film also investigates the impact that his crash had not just on his own life but on the sport as a whole, looking at the safety developments from the 1900s to the present day. Featuring exclusive access to Mercedes HQ and interviews with Lauda, his family, and motorsports legends past and present including Sir Jackie Stewart, David Coulthard, Mark Webber, Lewis Hamilton, Nico Rosberg, Hans-Joachim Stuck and Jochen Mass. LAUDA: THE UNTOLD STORY is a must-see for all motorsport fans.

Having escaped a destructive relationship, film artist Maja Borg explores two ritual practices: Christianity and BDSM. At first glance, the two could hardly be further apart, but perhaps there is a spiritual kinship between religion and subculture in terms of their healing power. Borg confronts herself and her deeply personal traumas in a dark and theatrical form, while exploring the European queer scene and the Christian heritage of northern Europe to find back to her own core. Passion and suffering are two sides of the same complex case in ‘Passion’, whose transcendental imagers lets literary and cinematic traditions come together in a ceremonial whole. But the abstractions give a sense of human depth to the film’s encounters, where Borg is challenged in both body and soul. And maybe it is precisely this humanity that proves to be the thing that connects theology and BDSM on an emotional and possibly even spiritual level.

A fresh and distinctive take on Charles Dickens’ semi-autobiographical masterpiece, The Personal History of David Copperfield, set in the 1840s, chronicles the life of its iconic title character as he navigates a chaotic world to find his elusive place within it. From his unhappy childhood to the discovery of his gift as a storyteller and writer, David’s journey is by turns hilarious and tragic, but always full of life, colour and humanity.

A young girl finds solace in her artist father and the ghost of her dead mother.

Having recently found God, self-effacing young nurse Maud arrives at a plush home to care for Amanda, a hedonistic dancer left frail from a chronic illness. When a chance encounter with a former colleague throws up hints of a dark past, it becomes clear there is more to sweet Maud than meets the eye.

Four children become friends during the summer holidays, and out of sight of the adults they discover they have hidden powers. While exploring their newfound abilities in the nearby forests and playgrounds, their innocent play takes a dark turn and strange things begin to happen.

Miriam and Antoine have recently separated. While she’s willing to permit their 17-year-old daughter Josephine to decide living arrangements for herself, Miriam is desperate to keep her youngest, 11-year-old Julien, away from his father. But the magistrate rules in favour of joint custody, and suddenly the boy is thrown directly into the middle of an escalating parental conflict, where it seems inevitable that sides must be chosen.