Shadows (2018)

Pregnant out of wedlock, an educated young woman is pressured by her father into an arranged marriage with a lonely farmer in this drama set during WWII.

Internationally released Director's Cut of "Loro 1" and "Loro 2", which were released separately as two movies in Italy. The film talks about the group of businessmen and politicians – the Loro (Them) from the title – who live and act near to media tycoon and politician Silvio Berlusconi in the years between 2006 and 2009.

A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.

Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leads to the murder of an innocent man.

The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.

In search of a lifeline for his struggling off road racing team, a man takes on a young car thief looking for a second chance, but as their worlds collide, they must struggle to forge a successful alliance.

Based on the true story of a black girl who was born to two white Afrikaner parents in South Africa during the apartheid era.

Matteo is a young successful businessman, audacious, charming and energetic. Ettore instead, is a calm, righteous, second grade teacher always living in the shadows, still in the small town from where both come from. They’re brothers but with two very different personalities. A dramatic event will force them to live together in Rome for a few months, bringing up the opportunity to face their differences with sympathy and tenderness, in a climax of fear and euphoria.

A film director gathers his favorite actresses, those he worked with and those he loved. He wants to make a film about women but he doesn’t reveal much: he observes them, takes cue, until his imaginary throw them into another era, in a past where the noise of the sewing machines fills a workplace handled and populated by women, where men have minor and marginal roles and cinema can be told from another point of view: the one of costume. Between loneliness, passions, anxieties, heartbreaking absence and unbreakable bonds, reality and fiction permeate, as well as the lives of the actresses and those of the characters, the competition and the sisterhood, the visible and the invisible.

A young woman in early-1900s Italy searches for a mystical sanctuary where her stillborn child can be brought back to life long enough to be baptized.