Series 4 (1972)

This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.

A quirky, dysfunctional family's road trip is upended when they find themselves in the middle of the robot apocalypse and suddenly become humanity's unlikeliest last hope.

To escape neglect and abuse from his parents, a young boy plants some strange seeds and they grow into a grandmother.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.

In this follow-up to his stop-motion hit Western Spaghetti, director PES transforms familiar objects into Fresh Guacamole.

When a comet passes close to the earth, machines all over the world come alive and go on homicidal rampages. A group of people at a desolate truck stop are held hostage by a gang of murderous 18-wheelers. The frightened people set out to defeat the killer machines…Or be killed by them.

An aging codger named Geri plays a daylong game of chess in the park against himself. Somehow, he begins losing to his livelier opponent. But just when the game's nearly over, Geri manages to turn the tables.

Taking all the places on both teams, Goofy demonstrates the game of football with varying results, having problems with the coach and the goal post.

Cis and Duo discuss leaving the real world while during a samurai sword fight. Part of the Animatrix collection of animated shorts set in the Matrix universe.